{"id":7034,"date":"2021-01-01T12:00:00","date_gmt":"2021-01-01T17:00:00","guid":{"rendered":"https:\/\/masspirates.org\/blog\/?p=7034"},"modified":"2021-01-01T11:58:10","modified_gmt":"2021-01-01T16:58:10","slug":"happy-public-domain-day-2021","status":"publish","type":"post","link":"https:\/\/masspirates.org\/blog\/2021\/01\/01\/happy-public-domain-day-2021\/","title":{"rendered":"Happy Public Domain Day, 2021!"},"content":{"rendered":"\n<p>For the 3rd year in a row, new works will enter the public domain in the United States. Works created in 1925 or earlier are now in the public domain!<\/p>\n\n\n\n<p>Copyrighted works entering the public domain were put on hold by the\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Copyright_Term_Extension_Act\">Copyright Term Extension Act of 1998<\/a>, aka the the Mickey Mouse Protection Act, which extended the term of copyright from the life of the author\u00a0+ 50 years to life of the author\u00a0+ 70 years. When the term of copyright was 28 years with a 28 year renewal, 85% of copyrighted works were not renewed since the profit from the work wasn&#8217;t higher than the cost of renewal. <a rel=\"noreferrer noopener\" href=\"https:\/\/web.law.duke.edu\/cspd\/\" target=\"_blank\">The Center for the Study of the Public Domain<\/a> notes:<\/p>\n\n\n\n<p><code>\"A Congressional Research Service\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/digital.library.unt.edu\/ark:\/67531\/metacrs727\/m1\/1\/high_res_d\/98-144e_1998May11.pdf\" target=\"_blank\">report<\/a>\u00a0indicated that only around 2% of copyrights between 55 and 75 years old retain commercial value. After 75 years, that percentage is even lower. Most older works are \u201corphan works,\u201d where the copyright owner cannot be found at all.\"<\/code><\/p>\n\n\n\n<p>As a result, we have lost 20 years worth of films, news reels and documentaries because many of them have simply rotted away as the copyright holders didn&#8217;t have a financial incentive to digitize them and archivists couldn&#8217;t do so while the works were under copyright. <\/p>\n\n\n\n<p>Though Mickey Mouse is still in Disney lockdown until 2024, here is a selection of what is entering the public domain. <a rel=\"noreferrer noopener\" href=\"https:\/\/web.law.duke.edu\/cspd\/\" target=\"_blank\">Duke University Law School&#8217;s Center for the Study of the Public Domain<\/a> has a <a rel=\"noreferrer noopener\" href=\"https:\/\/web.law.duke.edu\/cspd\/publicdomainday\/2021\/\" target=\"_blank\">summary of the new works we can enjoy free of copyright<\/a>. We provided links to any of the works we found at <a rel=\"noreferrer noopener\" href=\"https:\/\/archive.org\/\" target=\"_blank\">The Internet Archive<\/a>, where we expect more works now in the public domain to appear.<\/p>\n\n\n\n<p><em>Films<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Harold Lloyd\u2019s\u00a0<strong><em><a href=\"https:\/\/archive.org\/details\/HaroldLloydTheFreshman1925\" target=\"_blank\" rel=\"noreferrer noopener\">The Freshman<\/a><\/em><\/strong><\/li><li><strong><em>The Merry Widow<\/em><\/strong><\/li><li><strong><em>Stella Dallas<\/em><\/strong><\/li><li>Buster Keaton\u2019s\u00a0<strong><em>Go West<\/em><\/strong><\/li><li><strong><em>His People<\/em><\/strong><\/li><li><strong><em>Lovers in Quarantine<\/em><\/strong><\/li><\/ul>\n\n\n\n<p><em>Musical Compositions (You are free to perform them yourself!)<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Works by Bessie Smith, the \u201cEmpress of the Blues,\u201d including\u00a0<strong><em><a href=\"https:\/\/archive.org\/details\/cd_dixie-flyer-blues_bessie-smith\" target=\"_blank\" rel=\"noreferrer noopener\">Dixie Flyer Blues<\/a><\/em><\/strong>,\u00a0<strong><em>Tired of Voting Blues<\/em><\/strong>, and\u00a0<strong><em>Telephone Blues<\/em><\/strong><\/li><li>Works by Gertrude \u2018Ma\u2019 Rainey, the \u201cMother of the Blues,\u201d including\u00a0<strong><em>Army Camp Harmony Blues<\/em><\/strong>\u00a0(with Hooks Tilford) and\u00a0<strong><em>Shave \u2019Em Dry<\/em><\/strong>\u00a0(with William Jackson)<\/li><li>Works by Lovie Austin, including\u00a0<strong><em>Back Biting Woman\u2019s Blues<\/em><\/strong>,\u00a0<strong><em>Southern Woman\u2019s Blues<\/em><\/strong>, and\u00a0<strong><em>Tennessee Blues<\/em><\/strong><\/li><li>Works by Sippie Wallace, including\u00a0<strong><em>Can Anybody Take Sweet Mama\u2019s Place<\/em><\/strong>\u00a0(with Clarence Williams)<\/li><li>Works by Duke Ellington, including\u00a0<strong><em>Jig Walk<\/em><\/strong>\u00a0and\u00a0<strong><em>With You<\/em><\/strong>\u00a0(both with Joseph \u201cJo\u201d Trent)<\/li><li>Works by \u2018Fats\u2019 Waller, including\u00a0<strong><em>Anybody Here Want To Try My Cabbage<\/em><\/strong>\u00a0(with Andrea \u201cAndy\u201d Razaf),\u00a0<strong><em>Ball and Chain Blues<\/em><\/strong>\u00a0(with Andrea \u201cAndy\u201d Razaf), and\u00a0<strong><em>Campmeetin\u2019 Stomp<\/em><\/strong>Works by \u2018Jelly Roll\u2019 Morton, including\u00a0<strong><em>Shreveport Stomps<\/em><\/strong>\u00a0and\u00a0<strong><em>Milenberg Joys<\/em><\/strong>\u00a0(with Paul Mares, Walter Melrose, &amp; Leon Roppolo)<\/li><li><strong><em>Always<\/em><\/strong>, by Irving Berlin<\/li><li><strong><em>Sweet Georgia Brown<\/em><\/strong>, by Ben Bernie, Maceo Pinkard &amp; Kenneth Casey<\/li><li><strong><em>Looking for a Boy<\/em><\/strong>, by George &amp; Ira Gershwin (from the musical\u00a0<em>Tip-Toes<\/em>)<\/li><li>Works by W.C. Handy, including\u00a0<strong><em>Friendless Blues<\/em><\/strong>\u00a0(with Mercedes Gilbert),\u00a0<strong><em>Bright Star of Hope<\/em><\/strong>\u00a0(with Lillian A. Thorsten), and\u00a0<strong><em>When the Black Man Has a Nation of His Own<\/em><\/strong>\u00a0(with J.M. Miller)<\/li><li>Works by Sidney Bechet, including\u00a0<strong><em>Waltz of Love<\/em><\/strong>\u00a0(with Spencer Williams),\u00a0<strong><em>Naggin\u2019 at Me<\/em><\/strong>\u00a0(with Rousseau Simmons), and\u00a0<strong><em>Dreams of To-morrow<\/em><\/strong>\u00a0(with Rousseau Simmons)<\/li><li>Works by Fletcher Henderson, including\u00a0<strong><em>Screaming the Blues<\/em><\/strong>\u00a0(with Fay Barnes)<\/li><\/ul>\n\n\n\n<p><em>Books<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Alain Locke,\u00a0<strong><em><a href=\"https:\/\/archive.org\/details\/newnegro00lock\" target=\"_blank\" rel=\"noreferrer noopener\">The New Negro<\/a><\/em><\/strong>\u00a0(collecting works from writers including W.E.B. du Bois, Countee Cullen, Langston Hughes, Zora Neale Hurston, Claude McKay, Jean Toomer, and Eric\u00a0Walrond)<\/li><li>Etsu Inagaki Sugimoto,\u00a0<strong><em><a href=\"https:\/\/archive.org\/details\/daughterofsamura0000unse\">A Daughter of the Samurai<\/a><\/em><\/strong><\/li><li>Virginia Woolf,\u00a0<strong><em><a href=\"https:\/\/archive.org\/details\/virginiawoolfsmr0000unse\" target=\"_blank\" rel=\"noreferrer noopener\">Mrs. Dalloway<\/a><\/em><\/strong><\/li><li>F. Scott Fitzgerald,\u00a0<strong><em><a href=\"https:\/\/archive.org\/details\/greatgatsby0000fitz\" target=\"_blank\" rel=\"noreferrer noopener\">The Great Gatsby<\/a><\/em><\/strong><\/li><li>Ernest Hemingway,\u00a0<strong><em>In Our Time<\/em><\/strong><\/li><li>Franz Kafka,\u00a0<strong><em>The Trial<\/em><\/strong>\u00a0(in German)<\/li><li>Theodore Dreiser,\u00a0<strong><em>An American Tragedy<\/em><\/strong><\/li><li>John Dos Passos,\u00a0<strong><em>Manhattan Transfer<\/em><\/strong><\/li><li>Sinclair Lewis,\u00a0<strong><em>Arrowsmith<\/em><\/strong><\/li><li>Agatha Christie,\u00a0<strong><em>The Secret of Chimneys<\/em><\/strong><\/li><li>Aldous Huxley,\u00a0<strong><em>Those Barren Leaves<\/em><\/strong><\/li><li>W. Somerset Maugham,\u00a0<strong><em>The Painted Veil<\/em><\/strong><\/li><li>Dorothy Scarborough,\u00a0<strong><em>On the Trail of Negro Folk-Songs<\/em><\/strong><\/li><li>Edith Wharton,\u00a0<strong><em>The Writing of Fiction<\/em><\/strong><\/li><\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For the 3rd year in a row, new works will enter the public domain in the United States. Works created in 1925 or&hellip;<\/p>\n","protected":false},"author":2,"featured_media":4629,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,32],"tags":[],"class_list":["post-7034","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-copyright","category-slider"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/masspirates.org\/blog\/wp-content\/uploads\/2016\/06\/2016BostonPrideParadeCrew2.png","jetpack_shortlink":"https:\/\/wp.me\/p1W8mg-1Ps","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/masspirates.org\/blog\/wp-json\/wp\/v2\/posts\/7034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/masspirates.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/masspirates.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/masspirates.org\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/masspirates.org\/blog\/wp-json\/wp\/v2\/comments?post=7034"}],"version-history":[{"count":3,"href":"https:\/\/masspirates.org\/blog\/wp-json\/wp\/v2\/posts\/7034\/revisions"}],"predecessor-version":[{"id":7037,"href":"https:\/\/masspirates.org\/blog\/wp-json\/wp\/v2\/posts\/7034\/revisions\/7037"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/masspirates.org\/blog\/wp-json\/wp\/v2\/media\/4629"}],"wp:attachment":[{"href":"https:\/\/masspirates.org\/blog\/wp-json\/wp\/v2\/media?parent=7034"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/masspirates.org\/blog\/wp-json\/wp\/v2\/categories?post=7034"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/masspirates.org\/blog\/wp-json\/wp\/v2\/tags?post=7034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}